Marie DeVita: Lead Vocals
Ewan: Guitar and backing vocals
Griff: Bass and backing vocals
Chris: Guitar and backing vocals
WAAX have been around for a couple of years now, but are fast establishing themselves as one of Brisbane's most exciting indie heavy rock/punk bands out there. Known for their formidable frontwoman Marie DeVita's hyperactive stage presence they look set for major things with their second release. Opening with Marie's banshee-like hollering "I'm just a girl! I'm just a girl!" before the rest of the track kicks in, this song grabs you by the head and smashes it into the floorboards with the same ferocity that Marie smashes a couple of mirrors in the striking video clip to go with it. The song is a polemic on the superficiality of female relationships and competitiveness.
It has been No.1 on 4ZZZ's charts and also got considerable attention from Triple J as well. In all, the song races along like a Japanese bullet train with plenty of guitars and machine gun drumming. This is one band from Brisbane that when you see them once you're hooked even badder than an ice addict.
Friday, February 6, 2015
1) "A Matter Of Time" - Railroad Gin (Polydor) 1974. They were the biggest Brisbane band of the early 70's fronted by charismatic rocking chanteuse Carol Lloyd. A fine piece of post psyche rock with guitars phased to 11 and an ultra catchy flute solo together with Lloyd's delectable but powerful vocals. It was written by Laurie Stone, and later covered by 90's all-girl band The Dream Poppies as the opening cut on their album "Poppycock" and still sounded great after all these years. Why it wasn't a number hit escapes me.
2) "! (The Song Formerly Known As)" - Regurgitator (East West) 1998. Quirky and innovative genre-bending legends Regurgitator took the mickey out of wallflowers and social misfits with this cheeky but sassy funk track with some nice funky guitars, vinyl scratching and some shouting samples from 70's disco band Silver Convention's "Get Up And Boogie". Don't know where the "Thank you Mr. Dj" bit at the end came from, but it's fucking funny.
3) "I'm Feeling Hostile" - The Busymen (Wild Eagle) 2002. Inveterate 60's garage punk revivalists The Busymen were formed in 1997 but this single didn't come out until 2002. Gritty, punchy and aggressive, it has a certain fondness with me as I helped to record it and it was also the last ever recording to be done at the legendary Red Zeds studios before it closed its doors.
4) "I Don't Wanna Be Left Out" - Powderfinger (Polydor) 1999. Not one of their better charting songs compared with the likes of "Passenger", and "These Days". This was apparently written about a friend of Bernard Fanning who was in a band with me at the time who suffered from schizophrenia and felt lonely and ostracised from everyone despite that I found her a very friendly, caring and personable type. It is heart-warming to see bands of this ilk be able to put themselves in the shoes of people who are misunderstood by society and therefore kept at arm's length.
5) "Trashed" - Lavish (Festival) 1998. If there was one Brisbane band that never lived up to their fullest commercial potential, it would have to have been these guys. Opening with some screeching guitar feedback, this adrenaline rousing rocker teared along with the force of a tv set being chucked through a hotel window. With a harrowing video showing a girl being raped in a nightclub interspersed with the band done up as 80's New Romantics, the song was on high rotation on Triple M and Triple J from 97-98. They signed to Festival but were dropped the next year and quietly split in 2002. Guitarist Jeff Lovejoy returned to producing and fronting his own band Lovejoy with sister Kylie, and bassist Luke Thomas has found more success with Davey Lane's band The Pictures.
6) "I Gotta Get A Message To You" - The Bee Gees (Spin) 1968. Manchester born boys who emigrated to Brisbane in the late 50's scored their second number one hit in the UK in 1968 with this beautiful ballad. They have to be the most successful Brisbane band in history.
7) "To The Moon And Back" - Savage Garden (Roadshow) 1998. Two ultra-cute and unassuming Brisbane boys scored their first ever Number One hit in 1998 with a nice AOR number about a girl with dysfunctional parents who cut herself off from people in order to wait for her dream guy to make life better for her. Nice acoustic guitar solo and a gorgeous piano and string orchestra in the fadeout of this song.
8) "I'm Stranded" - The Saints (Philips) 1976. Arguably the first and finest punk band to come out of Brisbane, this was written by guitarist Ed Kuepper one night whilst waiting for a bus out in Inala. The song was quickly picked up by Philips and Power Exchange in Europe and the UK and became an instant cult hit with its minimal riffing and Chris Bailey's yobbish drawl. They defected to EMI/Harvest records which gave them a UK Top 40 hit with "This Perfect Day". The lineup eventually split with Kuepper going solo and Bailey having a successful chart career in Australia in the 80's. The original lineup reunited in 2007 for the Pig City festival at Univeristy of Queensland.
9) "Streets Of Your Town" - The Go-Betweens (Mushroom) 1988. Along with the Saints, The Go-Betweens are one of the most critically lauded Brisbane bands although they are scarcely in the same league as The Bee Gees and Savage Garden where record sales are concerned. This was their sole top 50 hit in 1988. Sadly, guitarist and vocalist Grant Maclennan passed away a few years ago and the band is now pretty much the vehicle for Robert Forster.
10) "Footpaths Of Brunswick Street" - The Natives Of Bedlam (Independent Release) 1993. Eccentric guitarist Evan Clarry formed this madcap folk outfit in the early 90's fronted by vocalist Marita Mangano, and bassist Adele Pickvance (now working with The Go-Betweens). This song is an amusing light-hearted look at life in the notorious suburb of sleaze and poverty but rich in music and talent.
11) "Nicotine" - Animal Boy (Oracle) 1996. Brisbane hair metallers Animal Boy delivered this biting rant about the evils of cigarette smoking from their "Walking Stick" EP. After the band split, Ian Pool turned his career around to becoming a highly acclaimed fine arts and commercial photographer.
12) "Jive To Stay Alive" - Chicks Incorporated (RCA) 1977. One of the most intriguing acts to come out of Brisbane in the late 70's was Chicks Incorporated who started out as an all-girl disco-funk instrumental band with one male guitarist. They signed with RCA Records and brought out this two-minute bright and funky piece of pop. They went through many lineup changes over the next 5 years due to difficulties with finding good musicians. Drummer Miriam Curtis produced their album "Security" which had songs written by jazz pianist David Bentley and well respected songwriters Laurie Stone and the late Peter Moscos.
13) "Say Goodbye" - Indecent Obsession (Melodian) 1989. Styling themselves on Duran Duran and Pseudo Echo, these pinup predecessors to Savage Garden were signed to Molly Meldrum's Melodian label in 1989 and broke the top 10 with this great boppy rocker. The song was lampooned by The Comedy Company that year as "Hair Gets In My Eyes", and the band went onto greater heights in the early 90's with having massive hits in South Africa after which they called it a day. Singer David Dixon now works in musical theatre whilst the drummer Daryl Sims joined Sydney industrial techno punks Insurge, and keyboardist Michael Szumowski wrote the No.1 hit "Poison" for Popstars winners Bardot in 2000. As for guitarist Andrew Coyne.....hmm, wonder whatever became of him? Nobody seems to know. The song recently regained some cult popularity in underground film "All My Friends Are Leaving Brisbane".
14) "Cocaine" - Emma Dean (Independent Release) 2008. One of Brisbane's fastest rising stars, her music is a clever combination of classical and art rock. This song is about some internet rumour mongers who libeled her as being a cocaine addict. I can totally relate to this song with some of the nasty things that have been said about me being a nudist recently by people who don't know me and have never met me. Their karma will come back on them eventually.
15) "The Flea That Ate My Stash" - The Pineapples From The Dawn Of Time (Sundown) 1987. This large, loony mob of 60's psyche-rockers meets 80's New Wave had a cult hit with this song back in the late 80's. The band split for a while, but made a comeback in 2007 for Pig City and since then have become much in demand again on the garage punk circuit. There is also a video on Google of this band performing the song at the Step Inn with garage rock DJ Judy Jetson doing some nifty go-go dancing.
16) "Oh" - The Whats (Reverberation) 2005. 2/3 of indie rock trio Screamfeeder did a White Stripes thing and formed a spinoff band with just guitar and drums with a great video of heaps of punters moshing to the song at the back of the now defunct Skinny's Music.
17) "Stepping On" - Sexing The Cherry (Volition) 1994. Just before the wave of Brisbane rock hit the top 40 in the 90's came this glamourous disco act which got it's debut play not on the likes of B-105, but on Peter Dick's show on 612-ABC Brisbane. The song is mostly remembered for the piercing wail by the lead singer towards the end which could even put Mariah Carey to shame. A pity this band never had any other hits after this.
18) "Happy Days" - Silver Studs (Philips) 1975. Probably the third Brisbane band after the Bee Gees to crack it nationally. The song was a good old fashioned rocker that was released to tie-in with the 50's sitcom that launched Ron Howard, Henry Winkler and Scott Baio to international stardom as well as boosting Suzi Quatro's music career in the U.S. The band were a trio led by Lance Reynolds, but eventually became a disco orientated duo. Lance is now a successful film industry mogul in America, whilst his son Nigel was in critically acclaimed Brisbane act My Three Sons in the late 80's.
19) "Tom Tom Turnaround" - New World (RAK) 1971. Brisbane folk trio were the second act to make it big nationally and in the UK in the late 60's - mid 70's with their signing to Mickie Most's RAK label and produced by legendary Nambour lad Mike Chapman. Chapman performed this song himself to Mickie Most whilst trying to land a production deal and almost instantly scored it. The rest is history - he went on to produce some well respected artists in the 70's, 80's and 90's like Suzi Quatro, Mud, Pat Benatar, Blondie, Nick Gilder, Divinyls, Australian Crawl, and in the 90's Baby Animals and Tina Turner. A very moving version of this song was also recorded by The Sweet for their debut album "Funny Funny How Sweet Co-Co Can Be".
20) "Orgasm Addict" - Kiley Gaffney (WEA) 1995. Former techno diva Kiley Gaffney reinvented herself as a punk princess with an off-the-cuff cocktail piano rendition of the Buzzcock's ode to masturbation. Taken from her EP "Bitter Fluff", she was signed with future husband Paul Curtis' management company but was eventually slammed by the critics. Nevertheless it's still enjoyable listening.And finally a few more.......
21) "Please, Cindy-Louise" - Darren J Ray (Independent Release). Darren J Ray is a good-time rock'n'roll troubadour who specialises in 60's rock and pop music both as a solo artist and with his fine band The Fabulous Sounds Of The 60's and The Love Bugs. This country orientated rocker was engineered by Oliver Jones (brother of Daniel from Savage Garden), plus the band have also had connections with Carol Lloyd who was then working as a music agent a couple of years back, as well as being friends with Sexing The Cherry. Darren's band has also featured Natalie Blair from Neighbours, and has legendary producer Jeff Lovejoy's dad Arnold on guitar.
22) "Sausage Roll" - The Nudists (Independent Release). I'm probably the only person in Brisbane who has actually gone out and bought both albums by this experimental garage hip-hop ensemble, whom both them and d-wizz 2.0 were the support acts for Talkshow Boy in 2005 just before The Orient closed its doors to live bands to become a capitalist pokies paradise. Cute and kooky guitar lines blend with languid half-spoken half-sung vocals about forsaking healthy foods for sausage rolls.
23) "Nude Twister" - Hot Liquid Sex (Not Released). This is my favourite song by a rising girl power-pop trio whom I've been into for some time now. A hilarious ode to the party game enjoyed by daring teenage party animals (a la Corey Delaney) and swingers alike. Don't play this if you are over 80kg.
24) "Listen To Your Mother" - Squelch (Independent Release). Electronic rock outfit Squelch were a popular live act in the early 90's fronted by guitarist/vocalist Lana Gishkariany and Robert Lennox. Her banshee like vocals complimented the glam rock beat and menacing electronic effects. Robert eventually helped form Taiyo and is still performing on the local circuit.
25) "In Another Life" - The Veronicas (Sire). The closing cut on their latest album "Hook Me Up" sees them veer away from their angsty bubblegum punk pop and into a more mature rock territory. Sounding similar to Radiohead's "Creep" and Tom Petty's "Free Falling", it is about learning to deal with the harsh realities of sacrificing childhood romances for coping with the pressures of the music business. If you listen carefully, you can hear Jessica Origliasso sniffling towards the end as apparently she was in tears when recording it.
26) "Thrill" - Dream Poppies (Pod). Cheesy, fluffy but very satisfying power pop number from local girl band who were quite popular during the 1990's. They were loved by the critics even though they performed a number of classic covers in their repertoire. Great video of them enjoying go-karting at the Caboolture race-track.
27) "Stole My Love" - Mike Furber & The Bowery Boys (Kommotion). British born wide-eyed innocent lad Mike Furber tried to contend for the King of Pop in the 1960's with Normie Rowe (whom he was often compared to). His attempt to do so failed miserably, but this is a great and catchy song. He signed to Columbia Records at the end of the 60's by which time his star had long since faded with no sign of it returning. Sadly, in 1973 he was found dead by hanging.
28) "I Would If I Could" - Marcie & The Cookies (Columbia). Melbourne pop/rock princess Marcie Jones teamed up with Brisbane's Cook sisters to form this all girl cabaret pop outfit. A pleasant, jaunty if somewhat ethereal song and astonishingly this act is still around recording, touring and doing live gigs on the Melbourne circuit.
29) "On The Verge Of Something Wonderful" - Darren Hayes (Powdered Sugar). Former Savage Garden lead singer had a more modest offering of success following the break-up of the band. After being dropped by Columbia Records, he moved to the UK and started up his own independent label. Interesting track with a great video to go with it.
30) "Singing In The 80's" - The Monitors (Festival). Quirky band who were one of the first Brisbane acts to make the charts in the 80's. Very New Wave orientated electronic pop featuring Gayle & Gillian Blakeney on backing vocals. They were 14 years old at the time and were wearing KISS makeup in the video. After the Monitors were finished, they went on to become TV personalities including doing time on Neighbours and recording with Stock, Aitken and Waterman in 1993 with a song that only made No.53 on the British charts.
Wednesday, January 21, 2015
Release Date: January 14, 2015
Label: Spooky Records
Producer: Darek Mudge
Cat No: ?
Geoff Corbett: Lead Vocals
Danielle Golding: Keyboards, Violin and Backing Vocals
Dylan McCormack: Acoustic Guitar
Dan Baebler: Guitar
Alex Dunlop: Drums
Anna Clifford: Backing Vocals
Ben Corbett: Lead duet Vocals on "Dead Memory"
A nice thing about Brisbane rock'n'roll is the ability to be able to shift your genre to a totally different entity altogether without compromising your own identity. So it goes for Geoff Corbett of Six Ft Hick fame's side project Shifting Sands. This band has been around for a few years now and have been one of the most persistent and prominent bands on the live local circuit.
"Beach Coma" is a wonderfully perverse mixture of the beautiful, exotic, exquisite and the dark and disturbing rolled in one. Corbett digs deep into the musky depths of his record collection like a late night fishing trip in Mariana's Trench and brings out memories of Alexis Korner, Tom Waits, Leonard Cohen, early Dave Graney, The Bad Seeds and Serge Gainsbourg with his husky whiskey sodden vocals. Coupled with Dylan McCormack's delicately scrubbed guitar and Clifford and Golding's siren-like backing vocals that they share equally, this album is the perfect companion to a Sunday afternoon on an MP3 player out the back deck with a classic Penguin novel in one hand and a Jack Daniels & Coke in the other.
The mainly gentle lilting songs such as "New Flame" and "Airway" and "Girl In The Sinking Canoe" (if the violin playing on this doesn't bring you to tears, you are one heartless bastard/bitch) have nice AM radio friendly melodies unsettlingly woven with morbid dark lyrics about death and near death experiences and romantic love together. The second single "The Other Girls" sounds almost like they had roped in 60's & 70's MOR songwriting team Roger Greenaway & Roger Cook into the production team, and the video for it directed by guitarist Dan Baebler is just magical telling the life of an ageing fishermen all in a night's work.
Elsewhere, the album has it's rocking moments with "Didn't I" and "Unrelenting Surf" that have traces of The Cars and The Rentals in them, but they don't overshadow the largely lounge theme of the album.
A truly great album which deserves not just community radio airplay, but also crossover radio airplay. It could just be the perfect introduction to Corbett's alter ego for those who tend to shy off from the wild rock'n'roll shenanigans of Six Ft Hick.
Friday, December 26, 2014
Issued: 15 October 2014
Label: Empire Of Sound
Producer: Stuart Stuart
The third single from the "Bombs Away" album is a very cute pop number brimming with ukeleles and a catchy singalong chorus, which is typical of their trademark sound. Although it has not fared as well as "Geronimo", nevertheless it will capture the hearts of the fans.
Saturday, November 29, 2014
Artist: The Veronicas
Label: Sony Music
Cat No: 8887-50129628
Year Of Release: 21 November, 2014
Produced by: Roger Alan Nichols, Toby Gad, Josh Alexander, Dreamlab & Ruffian, Chris Loco, DNA, Alex Shield, Nellee Hooper, Martin Hansen, Sandi Chilia
Personnel: Tyler Bryant (Banjo, resonator guitar, electric guitar and vocals on "Sanctified"), Billy Corgan (Guitar on "Did You Miss Me? (I'm A Veronica)"), Anthony Egizil & Khaled Rohaim (Keyboards and programming on "If You Love Someone"), David Musumeci (Guitars and Bass on "If You Love Someone"), Alex Dezen (Guitars on "You And Me")
2) Did You Miss Me? (I'm A Veronica)
4) Line Of Fire
5) Teenage Millionaire
6) Born Bob Dylan
8) Mad Love
9) You Ruin Me
10) More Like Me
11) If You Love Someone
13) Let Me Out
14) You And Me
Genres: Electronic, Pop, Alt-Country, Rock, Dance, Adult Orientated Rock
It is a well known saying in the music industry that third albums are the most difficult of a musician's career. It's the one that either makes or breaks them into the 'legendary' league and identifies their audience. No band has known this the harder way of late than The Veronicas.
After being embroiled in a massive power struggle with their former label Sire Records in 2009 due to several staff changes in the CEO and A&R departments, the newcomers didn't know what to do with The Veronicas or even bother to lift a finger marketing them in the international market after breaking the UK and European markets. In October 2013, Jess and Lisa had decided enough was enough and took to an Australian music forum to slag the living daylights out of Sire Records. Upon their return to Brisbane, they were quickly snapped up by Sony Music which their old friend Hayden Bell (who helped them sign with Sire in 2004) is now working as an A&R head at. Jessica had mentioned on Twitter that the new album would be an eclectic affair in which they were evolving from being a simple teen pop act to one that could cater to a variety of tastes.
The album opens up with industrial drums of the sleazy swamp rock "Sanctified", in which Lisa's boyfriend Tyler Bryant contributes guitar and banjo to interspersed with some soulful wailing from Jess and Lisa. A very stark contrast to the opening tracks of their past two albums, it's one of the strongest and innovative songs that they've ever done and one of my three top tracks of the album. You can just picture this song being a favourite for pole dancers.
"Did You Miss Me? (I'm A Veronica)" features Jess' ex-boyfriend Billy Corgan from Smashing Pumpkins on guitar with some badass rapping, bleeping synths reminiscent of fellow Brisbane band Regurgitator and some cute whistling in the chorus. The sonic guitar sounds are incredible which contrast with the dancey beat.
"Cruel" is a more brighter affair with a lively bopping beat, an 80's New Wave vibe and great power rock guitar riffing. This track was originally heard at the beginning of the video of "You Ruin Me" when Jess and Lisa are listening to it in the car on their way to the theatre.
"Line Of Fire" is dark and sensual with the girls purring the lyrics in the most sultry manner they can muster. The track was also broadcast as an audio only track on YouTube prior to the album being released. Plenty of rhymes and hooks abound in this track, and could possibly be a future single release.
"Teenage Millionaire" has a great pop/rock sound to it, and contains one of the best lyrics that they've written about being attracted to the more spiritual aspects of love over being materialistic.
"Born Bob Dylan" is a laid back ballad, but not one of the most catchiest tracks on the album. However, the lyrics are very endearing as to how they wish that they could be more expressive and poetic like Bob Dylan. There is an unobtrusive use of strings as well as some solid acoustic scrubbing.
"Always" sounds like they have borrowed a bit from the song "Always The Last To Know" by the band Emma & The Hungry Truth, but it did not make much impact on me.
I first heard "Mad Love" in 2012 at an acoustic gig that they did at Brew in Queen Street Mall. This is a great upbeat and catchy song with a singalong chorus to it.
"You Ruin Me" produced by DNA hallmarks a new found maturity in their sound as they embrace AOR. It sounds similar to The Carpenters "Yesterday Once More" and "Jar Of Hearts". This is them at their purest and emotional as Lisa sings about being used and dragged into the ground by an ex-lover and her voice comes close to cracking at times. The remix by Josh Katz issued as the B-side of the CD single sounds like he was influenced by Erasure, The Human League and La Roux when creating it.
"More Like Me" is another energetic dance rock number, although again not one of the more stand out tracks on the album.
"If You Love Someone" is going to the be the second single to be released from the album. Good soulful number with nice acoustic guitar strumming and a rousing chorus. Great message about not being afraid to tell somebody you love them if you do.
"Cold" is one of the Vfans favourites, and several were hoping that it'd be included on the album. It sounds a bit like "Portrait Of An American Family" by P!nk, and it drips with attitude and anger over having a cowardly boyfriend.
"Let Me Out" is another foray into the AOR territory, despite the gentle backing track the lyrics are about being trapped in a possessive relationship.
The closer "You And Me" opens with a cute folksy backing a bit like The Beatles "Julia" and Bob Dylan's "Blowing in the Wind", and harmonies reminiscent of their past labelmates Tegan and Sara. The song talks about loving each other from childhood innocence and braving other changes that take place in their lives.
Thursday, September 25, 2014
Label: Sony Music
Lyrics & Music: DNA & Jessica Origliasso/Lisa Origliasso
The best comeback of 2014 has come from The Veronicas beyond doubt.
After a much publicised acrimonious split with Warner Music in late 2013 and making a few local public appearances in Brisbane, they have bounced back with a new record deal and an unpretentious ballad about being messed about by former lovers.
Sounding similar to Wham!'s "Last Christmas" and The Carpenters, they are at their most emotional with Lisa's vocals almost cracking in parts from the sheer strain of the lyrics.
The single's B-side is a remix by Jess' boyfriend Josh Katz who gives it an 80's elector pop treatment in a similar vein to Erasure and La Roux.
It's probably fitting that they chose a ballad to be their new single as a sign of them growing up and leaving their past behind to look forward to a bright new future with Sony Music.
Get on it, girls!!
Monday, July 28, 2014
Label: Valve/East West Records
Distributor: Warner Music Australia
Cat No: 8573-85678-2
Year Of Release: 2000
Produced by: Tony Cohen
Mixed by: Tony Cohen (tracks 1 - 4), Jeff Lovejoy (tracks 5 - 13), Loki Lockwood (track 8)
Personnel: Geoff Corbett (vocals), Ben Corbett (vocals), Dan Baebler (guitar), Fred Noonan (drums), Karim Mellowship (electric banjo)
Back in 1999 - 2000, Warner Music in Australia was riding high on the Brisrock bandwagon with Regurgitator, Pangaea and Pretty Violet Stain. This band slipped through the cracks commercially, but are one of the most exciting and energetic and controversial rock'n'roll acts to ever come out of Brisbane.
Led by the Corbett brothers, the band grew up in the ultra-conservative bible-toting town of Nambour before starting out in Brisbane in 1995.
This album is a holy combination of rockabilly, punk, and swamp rock bristling with some great fuzzy scrubbed guitars, more swagger that makes Iggy Pop look like a choirboy and frantic drumbeats.
Geoff Corbett recently confessed to me that it was a very interesting time for the band during the recording sessions. You can virtually smell the alcohol and whatnot wafting through the studio during the making for a band that enjoyed their unmarried childless reckless yoof to the max.
Some of the song titles ensured that this band would not get airplay on Austereo networks such as the delightfully titled "Dog Eared Porno Mag", "Oysters", "Jesus, Gimme Peace" and "Goddamn". The Corbett's naughty glands work overtime on this album as well as on stage (you have to witness Ben's throwing himself and writhing on the floor and smashing his microphone on his forehead as well as Geoff sculling beer out of his cowboy boots).
If indie, emo and grunge bore you to death and you just feel like a good throwback to the days when rock'n'roll was fun and dangerous to like at the same time then definitely give this album a few spins.
These days, the band are in their 40's and both the Corbett lads are married with children but the wild stage antics and their facetious and socially biting humour are very much still intact. If old age doesn't get to them, rock'n'roll will first.